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Richard Slade, tenor,conductor, and teacher, is a
versatile artist, equally at home on concert and operatic stages. As a
member of The Western Wind, America's pre-eminent a cappella vocal
ensemble, he tours extensively and is featured on their new Public Radio
special and CD, "Holiday Light." His conducting career is
flourishing, with his new appointment as Music Director of The Sound
Shore Chorale in New Rochelle joining his existing positions directing
the choirs of the First Unitarian Society in Hastings and Sutton Place
Synagogue in New York City.
He has sung Tamino in The Magic Flute across New York state,
from the Smith Opera House in Geneva to a tour with the Long Island
Philharmonic. He has been a regularly featured singer at the Caramoor
Festival, with appearances in La gazza ladra (see photo at left), Lucrezia
Borgia, and Il pirata. He participated in the Samuel Barber
festival at the Kaye Playhouse and was featured on the McGraw-Hill Young
Artists Showcase on WQXR. He has performed in rare revivals of important
works such as Donizetti's Gianni di Parigi and Martin y Soler's Una
cosa rara at the Vineyard Opera, and in Opera Manhattan's productions
of Fauré's Pénélope, Hahn's Le Marchand de Venise, and
Poulenc's Dialogues of the Carmelites. In the 150th anniversary
performance of The Bohemian Girl at the Kaye Playhouse, he sang the
role of Thaddeus. He made his Town Hall debut in Paisiello's La
molinara, and his Bronx Opera debut as Eisenstein in Fledermaus.
In the world of operetta he has performed in Iolanthe, Princess
Ida, and Utopia, Limited with New York Gilbert & Sullivan
Players, and a duet cabaret show, Oh Love, True Love! or The Lass That
Lov'd a Tenor, with his wife, soprano
Cynthia Reynolds. His concert
appearances include the title role in Händel's Judas Maccabeus,
and the tenor solos in Beethoven's Missa Solemnis and Dvorak's Stabat
Mater, as well as Händel's Messiah and many of Bach's
cantatas. For the 2003-04 season he was artist-in-residence with the Long
Island Choral Society, singing as soloist on all of their concerts. Mr.
Slade is very much at home on the recital platform—not only does he sing
a wide range of classical art songs, but he specializes in the parlor
repertory of the Victorian era. In June of 2000 he saved the show at the
Caramoor festival by learning and performing Schumann's Spanisches
Liebeslieder on three hours' notice, substituting for an indisposed
colleague. He maintains a private voice studio, teaches at Manhattanville
College in Purchase, NY, and specializes in imparting the almost forgotten
arts of florid singing.
Mr. Slade received his BA from Yale University and his MM from New England
Conservatory. He was an apprentice with the Des Moines, Sarasota and Maine
Opera companies. He has toured the U.S. and Europe with the Yale
Whiffenpoofs, the New York Ensemble for Early Music, the New York City
Opera, and the New York Gilbert & Sullivan Players.
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